GIFTS GIVEN by the CREATOR: Bibliography
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Bibliography

Archuleta, Margaret and Dr. Rennard Strickland. Shared Visions: Native American Painters in the Twentieth Century. New York: New Press, 1991.

Crozier-Hogle, Lois and Darryl Babe Wilson. Surviving in Two Worlds: Contemporary Native American Voices. Austin: University of Texas Press, 1997.

The Canadian Museum of Civilization. In the Shadow of the Sun: Perspectives on Contemporary Native Art. Hull, Quebec: Canadian Museum of Civilization Press, 1993.

Dubin, Margaret. “Indigenous Words.” News From Native California 14, 4 (2001): 38-39.

_____. The Dirt is Red Here: Art and Poetry From Native California. Berkeley: Heyday Books, 2002.

Eiteljorg Museum of American Indians and Western Art. Pathbreakers: The Eiteljorg Fellowship for Native American Fine Art, 2003. Seattle: University of Washington Press, 2003.

Errington, Shelly. The Death of Primitive Art and Other Tales of Progress. Berkeley: University of California Press, 1998.

Frank, L. “Sovereignty Defined.” News From Native California 17, 4 (2004): 13.

Hill, Tom and Richard Hill. Creation’s Journey: Native American Identity and Belief. Washington DC: Smithsonian Institution Press, 1994.

Jacka, Lois Essary. Beyond Tradition: Contemporary Indian Art and its Evolution. Flagstaff: Northland Publishing Co., 1988.

Jessup, Lynda. On Aboriginal Representation in the Gallery. Hull, Quebec: Canadian Museum of Civilization Press, 2002.

LaPena, Frank. “Still Trying to do Art.” News From Native California 16, 2 (2002/2003): 40-41.

_____. “Twice Told Stories.” News From Native California 16, 4 (2003): 22.

_____. “A Collaboration: Listening in a Good Way.” News From Native California 17, 2 (2003/2004): 22-23.

_____. “Looking to the Past.” News From Native California 17, 3 (2004): 9.

_____. “Images of Identity.” News From Native California 18, 2 (2004/2005): 13.

Longfish, George C. and Joan Randall. “Contemporary Native American Art: Contradictions in Indian Territory.” Journal of Arts Management and Law 18, 2 (1988).

Marks, Paul Mitchell. In a Barren Land: The American Indian Quest for Cultural Survival, 1607–Present. New York: Harper Collins, 1998.

McMaster, Gerald. Reservation X: The Power of Place in Aboriginal Contemporary Art. Seattle: University of Washington Press, 1998.

Mihesuah, Devon A. American Indians: Stereotypes and Realities. Atlanta: Clarity Press, 1996.

Monroe, Dan L. Gifts of the Spirit. Essex: Peabody Essex Museum Press, 1996.

Quick-To-See-Smith, Jaune. Our Land/Ourselves: American Indian Contemporary Artists. Albany: University Art Gallery, University at Albany State University of New York, 1990.

Ross, Sylvia. “Hitting the Big Time.” News From Native California 17, 4 (2004): 16.

Rushing, W. Jackson. Native American Art and the New York Avant-Garde. Austin: University of Texas Press, 1995

_____. After the Storm: The Eiteljorg Fellowship for Native American Fine Art. Indianapolis: Eiteljorg Museum of American Indians and Western Art, 2001.

Ryan, Allan J. The Trickster Shift: Humour and Irony in Contemporary Native Art. Vancouver: University of British Columbia Press, 1999.

Schneider, Mary Jane. Contemporary Indian Crafts. Columbia: University of Missouri – Columbia Press, 1972.

Sheffield, Gail K. The Arbitrary Indian: The Indian Arts & Crafts Act of 1990. Norman: University of Oklahoma Press, 1997.

Snipp, C. Matthew. American Indians: The First of This Land. New York: Russell Sage Foundation, 1989.

Strickland, Rennard and Edwin L. Wade. Magic Images. Norman: University of Oklahoma Press, 1981.

Szabo, Joyce M. Painters, Patrons, and Identity: Essays in Native American Art. Albuquerque: University of New Mexico Press, 2001.

Walkingstick, Kay and Anne E. Marshall. So Fine! Masterworks of Fine Art From the Heard Museum. Phoenix: Heard Museum, 2001.

Wilkinson, Charles H. The Eagle Bird: Mapping a New West. New York: Pantheon Books, 1992.

Wyckoff, Lydia L. Visions and Voices: Native American Painting From the Philbrook Museum of Art. Albuquerque: University of New Mexico Press, 1996.