|
Bibliography
Archuleta, Margaret and Dr. Rennard Strickland.
Shared Visions: Native American Painters in the Twentieth Century.
New York: New Press, 1991.
Crozier-Hogle, Lois and Darryl Babe Wilson. Surviving
in Two Worlds: Contemporary Native American Voices. Austin:
University of Texas Press, 1997.
The Canadian Museum of Civilization. In the
Shadow of the Sun: Perspectives on Contemporary Native Art.
Hull, Quebec: Canadian Museum of Civilization Press, 1993.
Dubin, Margaret. “Indigenous Words.”
News From Native California 14, 4 (2001): 38-39.
_____. The Dirt is Red Here: Art and Poetry
From Native California. Berkeley: Heyday Books, 2002.
Eiteljorg Museum of American Indians and Western
Art. Pathbreakers: The Eiteljorg Fellowship for Native American
Fine Art, 2003. Seattle: University of Washington Press, 2003.
Errington, Shelly. The Death of Primitive
Art and Other Tales of Progress. Berkeley: University of California
Press, 1998.
Frank, L. “Sovereignty Defined.” News
From Native California 17, 4 (2004): 13.
Hill, Tom and Richard Hill. Creation’s
Journey: Native American Identity and Belief. Washington DC:
Smithsonian Institution Press, 1994.
Jacka, Lois Essary. Beyond Tradition: Contemporary
Indian Art and its Evolution. Flagstaff: Northland Publishing
Co., 1988.
Jessup, Lynda. On Aboriginal Representation
in the Gallery. Hull, Quebec: Canadian Museum of Civilization
Press, 2002.
LaPena, Frank. “Still Trying to do Art.”
News From Native California 16, 2 (2002/2003): 40-41.
_____. “Twice Told Stories.” News
From Native California 16, 4 (2003): 22.
_____. “A Collaboration: Listening in a
Good Way.” News From Native California 17, 2 (2003/2004):
22-23.
_____. “Looking to the Past.” News
From Native California 17, 3 (2004): 9.
_____. “Images of Identity.” News
From Native California 18, 2 (2004/2005): 13.
Longfish, George C. and Joan Randall. “Contemporary
Native American Art: Contradictions in Indian Territory.”
Journal of Arts Management and Law 18, 2 (1988).
Marks, Paul Mitchell. In a Barren Land: The
American Indian Quest for Cultural Survival, 1607–Present.
New York: Harper Collins, 1998.
McMaster, Gerald. Reservation X: The Power
of Place in Aboriginal Contemporary Art. Seattle: University
of Washington Press, 1998.
Mihesuah, Devon A. American Indians: Stereotypes
and Realities. Atlanta: Clarity Press, 1996.
Monroe, Dan L. Gifts of the Spirit. Essex:
Peabody Essex Museum Press, 1996.
Quick-To-See-Smith, Jaune. Our Land/Ourselves:
American Indian Contemporary Artists. Albany: University Art
Gallery, University at Albany State University of New York, 1990.
Ross, Sylvia. “Hitting the Big Time.”
News From Native California 17, 4 (2004): 16.
Rushing, W. Jackson. Native American Art and
the New York Avant-Garde. Austin: University of Texas Press,
1995
_____. After the Storm: The Eiteljorg Fellowship
for Native American Fine Art. Indianapolis: Eiteljorg Museum
of American Indians and Western Art, 2001.
Ryan, Allan J. The Trickster Shift: Humour
and Irony in Contemporary Native Art. Vancouver: University
of British Columbia Press, 1999.
Schneider, Mary Jane. Contemporary Indian Crafts.
Columbia: University of Missouri – Columbia Press, 1972.
Sheffield, Gail K. The Arbitrary Indian: The
Indian Arts & Crafts Act of 1990. Norman: University of
Oklahoma Press, 1997.
Snipp, C. Matthew. American Indians: The
First of This Land. New York: Russell Sage Foundation, 1989.
Strickland, Rennard and Edwin L. Wade. Magic
Images. Norman: University of Oklahoma Press, 1981.
Szabo, Joyce M. Painters, Patrons, and Identity:
Essays in Native American Art. Albuquerque: University of New
Mexico Press, 2001.
Walkingstick, Kay and Anne E. Marshall. So
Fine! Masterworks of Fine Art From the Heard Museum. Phoenix:
Heard Museum, 2001.
Wilkinson, Charles H. The Eagle Bird: Mapping
a New West. New York: Pantheon Books, 1992.
Wyckoff, Lydia L. Visions and Voices: Native
American Painting From the Philbrook Museum of Art. Albuquerque:
University of New Mexico Press, 1996.
|