This page gives titles and brief descriptions of public programs presented during 2006 by the 

TRADITIONAL ARTS PROGRAM
Department of Anthropology
California Academy of Sciences
San Francisco, CA



2006 PROGRAMS:
NAVIGATING THE ONLINE ARCHIVE
  • You can jump to the listings for a specific month during 2006:
  • From 2004-2008, the California Academy of Sciences was housed in a temporary space in downtown San Francisco while its home in Golden Gate Park was rebuilt. During part of this transitional period the TAP was temporarily suspended. Therefore there were no Traditional Arts Programs for the last seven months of 2006.
    January | February | March | April | May
  • You may view program listings for other years by clicking the relevant link: 
  • 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 | 2007 | 2008
  • You may also browse through indexes for the entire archive; these are organized by
  • geographic region OR artistic form (genre)
  • Listings for upcoming programs may be found on the TAP Calendar Page.

  • ONLINE ARCHIVE
    RESEARCH & FIELDWORK
    PUBLICATIONS
    STUDENT INTERNSHIPS
    STAFF PROFILES
    TAP HOME
    ANTHRO HOME
    CAS HOME

    California Indian Ethnobotany
    In conjunction with the exhibit Hotspot: California on the Edge, we present a day of programs focusing on the traditional uses of regional plants by California Indian tribes in daily and ceremonial life. Human settlement in California is a story of adaptation to a variety of climatic and ecological systems that determined cultural differences between tribal groups. The first Californians relied on natural resources in their local environments to provide shelter, clothing, food, and everyday utensils, and knowledge of plant use was handed down through the generations.

    Paul Stone (Paiute/Washoe) at the top of the Grand Teton Mountains, Wyoming.
    PHOTO: courtesy of Paul Stone

    In this special presentation, Ruth Orta (Ohlone) grinds acorns into coarse flour - part of the process for making acorn soup, once a nutritional food staple of California Indians. David Snooks (Washoe) paints geometric designs on gourds and adds beading to make unique works of art; he will also display cradleboards fashioned from willow by his mother, Juanita Snooks. Mona Garibay (Ohlone) uses the fibrous bulb of the soaproot plant to make brushes, and Sabrina Garibay (Ohlone) uses the thigh-spinning method to make cordage from dogbane fibers. Kathy Wallace (a member of the Hoopa Valley tribe) demonstrates the twining techniques of basket-making, and Paul Stone (Paiute/Washoe) makes flutes from elderberry wood and cedar. (January 14, 2006)

    Above: Decorative gourd by David Snooks (Washoe).
    PHOTO: J. Michael

    Right: Sabrina Garibay (Ohlone) makes dogbane cordage.
    PHOTO: June Anderson

    2006 PAGE GUIDE | INDEX TO ARCHIVE


    African Influences on South American Dance
    In honor of African-American Heritage Month, Afro-Peruvian drummer Lalo Izquierdo has organized a performance of Peruvian and Bolivian dances influenced by African music. The Spanish conquistadores brought African slaves to the Americas in the 1600s to work in the coastal plantations of Peru and in the silver and gold mines of the Andean altiplano. Over time, African and indigenous rhythms merged to form new hybrid styles of music and dance.
    Lalo has choreographed a selection of dances that pay tribute to his African heritage. The cueca was originally part of an Angolan marriage ritual, and today is the national dance of Bolivia. The festive alcatraz was once danced around a bonfire in the Peruvian cornfields and is characterized by sensuous movements as the dancers compete for partners. The festejo was popular with the mestizo population working in the plantations of Peru. The Bolivian caporal (meaning farm manager) is a quick, agile dance that represents the gait of the mulatto overseer as he patrolled the citrus plantations in the subtropical Yungas region of Bolivia; the sound of the chains worn by the slaves is incorporated into the dance.
    (February 4, 2006)

    This program funded by a generous grant from the Creative Work Fund.

    2006 PAGE GUIDE | INDEX TO ARCHIVE


    Ishi in the San Francisco Bay Area
    Ishi, the last Yahi Indian, spent the final years of his life in the San Francisco Bay Area. In this all-day seminar, author Richard Burrill shares his latest findings on Ishi's Bay Area experiences.
    (March 25, 2006)

    In the Footsteps of Ishi
    Ishi lived in the San Francisco Bay Area for nearly five years. On this all-day bus tour, author Richard Burrill traces some of Ishi's footsteps and explores his life in the Bay Area.
    (March 26, 2006)

    2006 PAGE GUIDE | INDEX TO ARCHIVE


    California Indian Storytelling
    The California Indian Storytelling Association (CISA) sponsors an afternoon program focusing on the oral traditions of California's indigenous people. Anne Marie Sayers (Ohlone), Alex Ramirez (Ohlone), and Gregg Castro (Salinan) will share with Academy visitors a variety of stories, both traditional and contemporary, that mirror their life experiences, history, and relationship to the land. Their repertoire includes family anecdotes, morality tales, and ancient myths. They are stories that inform us about tribal cultures and embody native belief systems and knowledge handed down from one generation to the next.

    CISA is an organization dedicated to the preservation and promotion of California Indian storytelling and to educating the Bay Area public about tribal traditions. Throughout the year, they provide venues for local storytelling, workshops, and an annual festival. For further information on CISA, visit their web-site at www.cistory.org.
    (April 22, 2006)

    2006 PAGE GUIDE | INDEX TO ARCHIVE


    Asian Oboes and Shawms
    Brenda Schuman-Post's collection of oboes from around the world includes many types from Asian cultures, each with a distinct shape and design. Brenda compares the unique sound of each instrument and discusses its role in ceremonial and daily life.
    (May 21, 2006)

    2006 PAGE GUIDE | INDEX TO ARCHIVE


    Japanese Swordsmanship
    Iaido is the art of drawing the sword. Conceived to instantly defeat an aggressor using the blade's drawing cut, Iaido has developed into an art of self-perfection without sacrificing its martial spirit. It is seen as the closest martial art to zen meditation. Iaido, which derives directly from the heart of the Japanese Samurai Tradition, emerged 450 years ago, during the Sengokujidai, the time of the Warring Provinces. This elite martial art has withstood the tests of battle and time and remains unchanged to the present day. For this demonstration, Sensei Andrej Diamantstein [6th dan, Zen Nihon Iaido Renmei] and the Nishi Kaigan Iaido Dojo perform various waza (forms) from Muso Jikiden Eishin Ryu Iaido.
    (May 21, 2006)

    2006 PAGE GUIDE | INDEX TO ARCHIVE


    Chinese Tai Chi
    As a mental and spiritual discipline, tai chi has been part of Eastern philosophy for thousands of years. Master George Xu focuses on the health benefits of tai chi. He illustrates breathing exercises and meditative movements designed to increase the body's energy and flexibility, and improve muscle and skeletal strength.
    (May 21, 2006)

    2006 PAGE GUIDE | INDEX TO ARCHIVE

    ONLINE ARCHIVE
    RESEARCH & FIELDWORK
    PUBLICATIONS
    STUDENT INTERNSHIPS
    STAFF PROFILES
    TAP HOME
    ANTHRO HOME
    CAS HOME

    top of page

    Page designed by Jennifer Michael
    Copyright 2006 California Academy of Sciences