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Catalog Number |
CAS 0370-0931 | |
Category | Visual Arts | |
Object Name | Painting | |
Culture | Navajo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | Arizona | |
County | Apache | |
Other Geographic Data | Community: Wide Ruins | |
Maker's Name | Beatien Yazz (Beatian Yazz, Jimmy Toddy) (b. 1928) | |
Date of Manufacture | February 1943 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Opaque watercolor on unsized cardboard | |
Description | Untitled painting on cardboard depicting single buffalo shown standing and in left profile looking up toward blue horned sun in upper left corner; 3 rays of light radiate down from sun; Buffalo has bear-like face and stands on horizon line made of small yellow crescent shapes; Horizon line terminates in terraced arrow and stylized plant; Signature "Beatien Yazz" is printed in black paint in lower right corner; Date of painting is handwritten in pencil on reverse. | |
Dimensions (cm) | Width = 45.7, Length = 30.4 |
Catalog Number | CAS 0370-0932 | |
Category | Visual Arts | |
Object Name | Painting | |
Culture | San Ildefonso Pueblo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | New Mexico | |
County | Santa Fe | |
Other Geographic Data | San Ildefonso Pueblo | |
Maker's Name | Tonita Peña (Tonita P. Arquero, Quah Ah) (1893-1949) | |
Date of Manufacture | ca. 1930 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Opaque tempera on paper | |
Description | Untitled painting on white poster board depicting single image of Koshare clown, shown in left profile; Clown's body is painted entirely in black and white stripes and he wears garters, breechclout, wristlets, and collar; His hair is pulled back into 2 ponytails; Costume is lacking head cap; Signature "Quah Ah, Tonita Peña" is printed in black ink in lower right corner. | |
Dimensions (cm) | Width = 16.9, Length = 23.8 |
Catalog Number | CAS 0370-0933 | |
Category | Visual Arts | |
Object Name | Painting | |
Culture | San Ildefonso Pueblo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | New Mexico | |
County | Santa Fe | |
Other Geographic Data | San Ildefonso Pueblo | |
Maker's Name | Tonita Peña (Tonita P. Arquero, Quah Ah) (1893-1949) | |
Date of Manufacture | ca. 1930 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Opaque paint on paper | |
Description | Untitled painting on white poster board depicting single image of Koshare clown, shown in 3/4 left profile against plain white background; Clown's body is painted completely in black and white stripes and he wears garters, breechclout, waistband, and headdress that includes two extended horns; Clown is in standing position with knees bent, right arm raised up, and head bent back slightly; Signature "Quah Ah, Tonita Peña" is printed in black ink in lower right corner. | |
Dimensions (cm) | Width = 15.9, Length = 23.8 |
Catalog Number |
CAS 0370-0934A | |
Category | Visual Arts | |
Object Name | Painting | |
Culture | San Ildefonso Pueblo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | New Mexico | |
County | Santa Fe | |
Other Geographic Data | San Ildefonso Pueblo | |
Maker's Name | Joe Aguilar (Jose Vincente Aguilar, Warm Mountain, Sua Peen) (b. 1924) | |
Date of Manufacture | 1951 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Tempera on paper | |
Description | Untitled painting on heavy white paper depicting male buffalo dancer shown in 3/4 right profile with his head turned away from viewer; Dancer is dressed in moccasins, leggings, brown leather kilt, red woven sash, black shirt, and buffalo headdress; He is shown bent at the knees and waist and carries bow and arrow in left hand and rattle (?) in right hand; Signature "Aguilar 51" is printed in black ink just below and to right of dancer. (This painting and CAS 0370-0934B, showing a female buffalo dancer, were done as a pair.) Joe Aguilar (Jose Vincente Aguilar) is the son of Rosalie Simbola Aguilar and Joe Aguilar [José Angeles Aguilar] and the brother of Florence Aguilar Naranjo and Alfred Aguilar, all of whose works are also represented in the CAS collection. | |
Dimensions (cm) | Width = 11.3, Length = 15.2 |
Catalog Number |
CAS 0370-0934B | |
Category | Visual Arts | |
Object Name | Painting | |
Culture | San Ildefonso Pueblo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | New Mexico | |
County | Santa Fe | |
Other Geographic Data | San Ildefonso Pueblo | |
Maker's Name | Joe Aguilar (Jose Vincente Aguilar, Warm Mountain, Sua Peen) (b. 1924) | |
Date of Manufacture | 1951 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Tempera on paper | |
Description | Untitled painting on heavy white paper depicting female buffalo dancer shown in full frontal pose and dressed in moccasins, embroidered skirt and shirt, and buffalo headdress; Dancer carries spruce bough in left hand and feathers (?) in right hand; Signature "Aguilar 51" is painted in black paint just below and to right of dancer. (This painting and CAS 0370-0934A, showing a male buffalo dancer, were done as a pair.) Joe Aguilar (Jose Vincente Aguilar) is the son of Rosalie Simbola Aguilar and Joe Aguilar [José Angeles Aguilar] and the brother of Florence Aguilar Naranjo and Alfred Aguilar, all of whose works are also represented in the CAS collection. | |
Dimensions (cm) | Width = 11.4, Length = 15.0 |
Catalog Number |
CAS 0370-0935 | |
Category | Visual Arts | |
Object Name | Painting | |
Culture | Santa Clara Pueblo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | New Mexico | |
County | Rio Arriba | |
Other Geographic Data | Santa Clara Pueblo | |
Maker's Name | Pablita Velarde (Tse Tsan) (1918-2006) | |
Date of Manufacture | 1932-1936 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Tempera on paper | |
Description | Painting entitled "Women Visiting Shrine", depicting 2 pueblo women kneeling over a small outdoor shrine and placing an offering; One of the women is wrapped in a blue blanket and the other in a red blanket; Cholla cactus and other plants are depicted in background amid sand dunes. Pablita Velarde is the mother of Helen Hardin, whose early paintings are represented in the CAS painting collection, and the sister of Legoria Tafoya, whose pottery is represented in the CAS pottery collection. | |
Dimensions (cm) | Width = 44.3, Length = 27.8 |
Catalog Number | CAS 0370-0956 | |
Category | Visual Arts | |
Object Name | Painting | |
Culture | San Ildefonso Pueblo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | New Mexico | |
County | Santa Fe | |
Other Geographic Data | San Ildefonso Pueblo | |
Maker's Name | Joe Aguilar (Jose Vincente Aguilar, Warm Mountain, Sua Peen) (b. 1924) | |
Date of Manufacture | 1953 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Oil on poster board; Brown paper for card | |
Description | Untitled painting on poster board depicting Navajo deity, Pollen Boy; Figure is in full frontal pose, dressed in white leggings, gold and rust-brown kilt, and gold upper body; Face is white; Ribbon steamers hang from wrists and elbows and pouch is tied at waist; Background is speckled with blue, white, red, and turquoise paint; Signature "Warm Mountain 53" is printed in white paint in lower right corner; Painting is glued to rust-brown paper as holiday card; Black and green letters "M C" [Merry Christmas?] are painted on front; Typed message inside reads, "Figure from Navajo Sandpainting* Hozhonji** Blessing Chant Tra Da Deen-eshki. Pollen Boy, Warm Mountain, Joe V. Aguilar." Joe Aguilar (Jose Vincente Aguilar) is the son of Rosalie Simbola Aguilar and Joe Aguilar [José Angeles Aguilar] and the brother of Florence Aguilar Naranjo and Alfred Aguilar, all of whose works are also represented in the CAS collection. | |
Dimensions (cm) | Width = 9.2, Length = 15.2 |
Catalog Number |
CAS 0370-0957 | |
Category | Visual Arts | |
Object Name | Painting | |
Culture | San Ildefonso Pueblo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | New Mexico | |
County | Santa Fe | |
Other Geographic Data | San Ildefonso Pueblo | |
Maker's Name | Joe Aguilar (Jose Vincente Aguilar, Warm Mountain, Sua Peen) (b. 1924) | |
Date of Manufacture | 1957 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Tempera on cardboard; Varnish | |
Description | Untitled painting on poster board depicting single parrot as represented on pueblo pottery; Bird's orange body is decorated with geometric patterns; Bird is shown standing on single floral branch, against blue speckled background; Signature "Suwa" is printed in black paint in lower right corner. Joe Aguilar (Jose Vincente Aguilar) is the son of Rosalie Simbola Aguilar and Joe Aguilar [José Angeles Aguilar] and the brother of Florence Aguilar Naranjo and Alfred Aguilar, all of whose works are also represented in the CAS collection. | |
Dimensions (cm) | Width = 15.1, Length = 12.7 |
Catalog Number |
CAS 0370-0958 | |
Category | Visual Arts | |
Object Name | Serigraph | |
Culture | Anglo-American | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | New Mexico | |
County | Santa Fe | |
Other Geographic Data | City: Santa Fe | |
Maker's Name | Anna Barry (1907-2001) | |
Date of Manufacture | ca. 1945-1955 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Paper; Ink | |
Description | Serigraph on white paper entitled "Corn Dance, Santo Domingo" depicting large group of pueblo men and women in ceremonial dress (women in black woven dresses and head tabletas) dancing in plaza while two Koshares (clowns) in foreground mimicking the dancers; Kiva structure is in background; Painting is done in realistic, European style; Title and signature "Anna Barry" are handwritten in pencil in lower left and lower right borders, respectively; Some of Barry serigraphs were apparently copied from her husband’s drawings and paintings; "Corn Dance, Santo Domingo" was copied from a similar work by Moskowitz entitled "The Corn Dance" and published in 1949 (republished 1993). | |
Dimensions (cm) | Width = 21.5, Length = 15.2 |
Catalog Number |
CAS 0370-0959 | |
Category | Visual Arts | |
Object Name | Serigraph | |
Culture | Haida | |
Global Region | North America | |
Country | Canada | |
State/Prov./Dist. | British Columbia | |
County | ||
Other Geographic Data | unknown | |
Maker's Name | Germaine Mauriaucourt (1932-ca. 2001) | |
Date of Manufacture | ca. 1955 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Paper; Ink | |
Description | Untitled serigraph depicting standing figure of human-raven, shown wearing seaweed skirt and a cape which hangs off its right shoulder and carrying a staff in its left hand; 10 humanoid heads with arms are shown on raven's breast, and around him are smaller images of a fish, 2 birds, an orca, and a frog, all printed in black, green, and rust brown; On reverse is attached type-written version of Haida creation story, as told to Germaine Mauriaucourt by Arthur Moody at Skidegate Mission, Queen Charlotte Islands in 1955. [Germaine Mauriaucourt was born in Vancouver, British Columbia of French and English ancestry and spent the summer of 1955 among the Haida people at Skidegate, where she claimed to have been “adopted into the Moody family (Haida carvers) and into the Raven and Wolf clans.â€] | |
Dimensions (cm) | Width = 28.0, Length = 35.6 |
Catalog Number |
CAS 0370-0961 | |
Category | Visual Arts | |
Object Name | Painting | |
Culture | San Ildefonso Pueblo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | New Mexico | |
County | Santa Fe | |
Other Geographic Data | San Ildefonso Pueblo | |
Maker's Name | Gilbert Atencio (Wah Peen) (1930-1995) | |
Date of Manufacture | 1956 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Opaque tempera on paper | |
Description | Painting on white paper folded in half and designed as Christmas card; Painting on front is entitled "Matachina Dancer", depicting single dance figure from the pueblo version of the Matachine society dance; Figure is dressed in black fringed skirt, moccasins and leggings, and cape and wears green face covering and white headdress with long flowing ribbons; 3 wooden swords are carried in right hand and cloth in left hand; Signature "Gilbert Atencio '56" is printed in black paint in lower right corner; Handwritten greeting inside reads, "A Warm and Friendly Wish of Cheer for Christmas and the Coming Year -- Gilbert Atencio." Gilbert Atencio was the son of Isabel Montoya Atencio, the brother of Helen Gutierrez, and the nephew of sisters Desideria Montoya Sanchez and Maria Martinez, all of whose work is also represented in the CAS collection. | |
Dimensions (cm) | Width = 20.9, Length = 28.8 |
Catalog Number |
CAS 0370-0962 | |
Category | Visual Arts | |
Object Name | Serigraph | |
Culture | Creek, Potawatomi | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | Oklahoma | |
County | unknown | |
Other Geographic Data | unknown | |
Maker's Name | Woodrow Wilson "Woody" Crumbo, Sr. (1912-1989) | |
Date of Manufacture | ca. 1950-1960 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Paper; Paint | |
Description | Untitled serigraph on paper depicting male dancer shown in 3/4 left profile (head is turned in 3/4 right profile) standing on right foot with knee bent and left leg upraised; Dancer wears elaborate plains-style dance outfit, including blue and red aprons, calico print shirt, feather bustle and large feathered rosettes on upper arms, roach with feathers in hair, beaded moccasins, garters and belt; He carries feather fan with beaded handle in right hand and horse hair (?) switch in left hand. | |
Dimensions (cm) | Width = 26.5, Length = 33.0 |
Catalog Number |
CAS 0370-0963 | |
Category | Visual Arts | |
Object Name | Linoleum block print | |
Culture | Navajo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | California | |
County | San Francisco | |
Other Geographic Data | City: San Francisco | |
Maker's Name | R. C. Gorman (Rudolph Carl Gorman) (1931-2005) | |
Date of Manufacture | 1964 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Block print on paper | |
Description | Linoleum block print on white paper, entitled "Navajo Girl" depicting head of Navajo girl in 3/4 profile, with her hair pulled back and tied in traditional Navajo "chongo" and wearing "jacloh" earrings; Image is printed in black ink; Signature "R.C. Gorman '64", title "Navajo Girl", and edition number "4/10" are printed in pencil along lower edge; Print enclosed in pink paper folio inscribed on front cover, "Kesh-mish" [Christmas]. | |
Dimensions (cm) | Width = 16.7, Length = 22.9 |
Catalog Number |
CAS 0370-0964 | |
Category | Visual Arts | |
Object Name | Serigraph | |
Culture | Taos Pueblo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | New Mexico | |
County | Taos | |
Other Geographic Data | Taos Pueblo | |
Maker's Name | Pop Chalee (Merina Lujan Hopkins) (1906-1993) | |
Date of Manufacture | ca. 1950s | |
Collection Name | Elkus Collection (Native American) | |
Materials | Paper; Ink | |
Description | Untitled serigraph on manila-colored board depicting buffalo dancer in ceremonial dress, shown from behind in three-quarter profile, full-length pose; Figure wears red moccasins, buckskin kilt, bell rattles below knees, and buffalo headdress with bundle of eagle plumes at sides, and carries gourd rattle in right hand and arrow or spear in left hand; Signature "Pop Chalee" with eagle plume is imprinted just below figure. | |
Dimensions (cm) | Width = 24.0, Length = 28.5 |
Catalog Number |
CAS 0370-0965 | |
Category | Visual Arts | |
Object Name | Serigraph | |
Culture | Taos Pueblo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | New Mexico | |
County | Taos | |
Other Geographic Data | Taos Pueblo | |
Maker's Name | Pop Chalee (Merina Lujan Hopkins) (1906-1993) | |
Date of Manufacture | ca. 1950s | |
Collection Name | Elkus Collection (Native American) | |
Materials | Ink; Paper | |
Description | Untitled serigraph on blue paper, showing a single blue horse with its front and back legs spread widely as it jumps over a yucca plant; Horse's mane and tail are jet black; Pair of small birds are shown in upper left and right corners; Signature "Pop Chalee" with eagle plume is printed just below horse's rear feet. | |
Dimensions (cm) | Width = 17.6, Length = 14.9 |
Catalog Number |
CAS 0370-0966 | |
Category | Visual Arts | |
Object Name | Painting | |
Culture | Navajo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | Arizona | |
County | Apache | |
Other Geographic Data | Community: Wide Ruins | |
Maker's Name | Little Shorty (ca. 1895-1980) | |
Date of Manufacture | ca. 1948 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Opaque watercolor on paper | |
Description | Untitled painting on gray-green construction paper depicting Navajo man leaning against pine tree with his bow and arrows in his lap and asleep, while doe and buck graze nearby; Several multi-colored mountain peaks are shown in background; Painting is unsigned. Little Shorty was Jimmy Toddy’s (Beatien Yazz) uncle and the father of Philip Shorty. He was a lifelong resident of Wide Ruins and painted briefly ca. 1947-1950. | |
Dimensions (cm) | Width = 29.0, Length = 22.0 |
Catalog Number |
CAS 0370-0967 | |
Category | Visual Arts | |
Object Name | Painting | |
Culture | Navajo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | Arizona | |
County | Apache | |
Other Geographic Data | Community: Wide Ruins | |
Maker's Name | Little Shorty (ca. 1895-1980) | |
Date of Manufacture | ca. 1948 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Opaque watercolor on paper | |
Description | Untitled painting on brown wrapping paper depicting white mare in foreground with yellow colt (?) behind and to the right; Row of 3 mountain peaks are in background with 2 birds in flight between the peaks; Horses and mountains are set against plain backgrounds with only minimal attempt at perspective; Painting is unsigned. Little Shorty was Jimmy Toddy’s (Beatien Yazz) uncle and the father of Philip Shorty. He was a lifelong resident of Wide Ruins and painted briefly ca. 1947-1950. | |
Dimensions (cm) | Width = 28.9, Length = 21.7 |
Catalog Number |
CAS 0370-0968 | |
Category | Visual Arts | |
Object Name | Painting | |
Culture | Navajo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | Arizona | |
County | Apache | |
Other Geographic Data | Community: Wide Ruins | |
Maker's Name | Little Shorty (ca. 1895-1980) | |
Date of Manufacture | ca. 1948 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Opaque watercolor on illustration board | |
Description | Untitled painting on lightweight white cardboard showing single Navajo yei (deity) figure whose body is painted entirely blue; Figure is dressed in kilt, sash belt, garters, and moccasins and ribbons hang down from his wrists and elbows on his outstretched hands; Figure is shown against plain white background; Painting is unsigned. Attribution to Little Shorty made by Jerry Brody (former director of Maxwell Museum, Albuquerque, NM). According to Sallie Lippincott Wagner, who operated Wide Ruins Trading Post in the 1930s and 1940s, when Little Shorty was active, this attribution is unlikely: the style of this painting seems rather refined in comparison to other works by Little Shorty. Little Shorty was Jimmy Toddy’s (Beatien Yazz) uncle and the father of Philip Shorty. He was a lifelong resident of Wide Ruins and painted briefly ca. 1947-1950. | |
Dimensions (cm) | Width = 19.0, Length = 26.0 |
Catalog Number |
CAS 0370-0969 | |
Category | Visual Arts | |
Object Name | Painting | |
Culture | Navajo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | Arizona | |
County | Apache | |
Other Geographic Data | Community: Wide Ruins | |
Maker's Name | Little Shorty (ca. 1895-1980) | |
Date of Manufacture | ca. 1948 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Opaque watercolor on brown paper | |
Description | Untitled painting on brown paper depicting yellow male goat and gray female goat with kid wandering through a hilly landscape; Large peak and 2 pine trees depicted in foreground and several low hills and one bare-leafed tree in background; Painting is unsigned. Little Shorty was Jimmy Toddy’s (Beatien Yazz) uncle and the father of Philip Shorty. He was a lifelong resident of Wide Ruins and painted briefly ca. 1947-1950. | |
Dimensions (cm) | Width = 29.1, Length = 22.0 |
Catalog Number |
CAS 0370-0970 | |
Category | Visual Arts | |
Object Name | Painting | |
Culture | Navajo | |
Global Region | North America | |
Country | USA | |
State/Prov./Dist. | Arizona | |
County | Apache | |
Other Geographic Data | ||
Maker's Name | Harrison Begay (Haskay Yahneyah) (1914 or 1917-2012) | |
Date of Manufacture | 1961 | |
Collection Name | Elkus Collection (Native American) | |
Materials | Opaque watercolor on illustration board | |
Description | Painting on white illustration board entitled "Little Spotted Skunk" depicting three different full-body views of a black skunk with tan stripes; Several stylized plants are interspersed among the skunks and blue and salmon-colored rainbow bar borders top and upper sides of painting; Signature "H. Begay" is printed in brown paint in lower right corner; Title "Lilte (sic) Spotted Skunk" is handwritten in pencil on reverse. | |
Dimensions (cm) | Width = 14.6, Length = 16.6 |
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